As if to compensate for all those months of cancelled exhibitions and closed galleries, the past season offered a notably diverse assortment of shows, albeit with restrictions for safety. Painting dominated, from the explicit and politically charged to cerebral abstraction, and a lot in between. The fall began with the brilliant Black, Texas-based Trenton Doyle Hancock’s “Something American,” at James Cohan’s two Downtown locations, a frighteningly relevant double header pillorying many of our current difficulties through metaphors both fierce and comic. On the Lower East Side, Hancock showed ink on paper drawings from an ongoing graphic novel about the Moundverse, a mythological world that pits evil Vegans, threatening policemen, and other villains against such good guys as Torpedo Boy, the artist’s disarmingly tubby superhero alter ego. We followed the panels of the current chapter, savoring Hancock’s loaded, lucid drawings and wondering what would happen next.